117 lines
5 KiB
Markdown
117 lines
5 KiB
Markdown
# Creative Workflow Additions
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These features prioritize fast musical experiments and retain the existing
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control-thread preparation and project undo model. They introduce no dependency
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or project-format change.
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---
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## Selected Track Inserts
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**Track → Show selected track inserts** (Ctrl+5) opens the sequencer or active
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mixer selection directly. Bus inserts are unsupported; no selection leaves the
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workspace unchanged. **View → Track inserts** still opens the rack
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independently. Ctrl+4 remains the piano-roll command, resolving the earlier
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shortcut collision.
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---
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## Duplicate an Effect
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Select a slot, then **Rack actions → Duplicate effect**. The copy appears
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directly after it, retaining controls, automation, wet amount and bypass. It is
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an independent instance with fresh processing history. Eight-slot capacity and
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plugin preparation errors preserve the old chain; Undo removes the copy.
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---
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## Copy A Chain Between Tracks
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**Rack actions → Copy chain** stores an independent metadata snapshot. Select
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another track and use **Paste chain (replace)** to replace its complete chain,
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including output gain. Copying neither loads modules nor changes undo history;
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pasting prepares the candidate and is undoable. The clipboard is internal to
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this session and clears on successful New/Open. Preparation errors keep both the
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destination and clipboard intact.
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---
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## Compare Effect Configurations
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**Rack actions → Compare** captures or recalls A and B. Each slot is bound to
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the track where it was captured; Recall is available only on that track.
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Capturing copies metadata without affecting undo or loading modules. Recall
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prepares a fresh chain and is undoable; histories and opaque plugin states are
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excluded. The two comparison slots clear on successful New/Open. Comparisons
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stop transport when recalled, following the existing safe insert-edit workflow.
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---
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## Creative Starting Points
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**Add effect → Templates (replace)** offers Slapback (80 ms delay), Dub Echo
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(375 ms feedback delay into a short reverb), and Ambient Space (long reverb into
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500 ms delay). They replace the current chain in one undoable edit and require
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no external plugins. All controls remain editable. Times are milliseconds;
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feedback and wet levels are deliberate starting points, without automatic
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loudness matching or a claim that the presets suit every source.
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---
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## Bulk Rack Actions
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**Enable all effects**, **Bypass all effects**, and **Clear chain** each prepare
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one undoable edit. Enabling all intentionally enables every slot, including
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previously bypassed effects; Undo restores the previous mixed bypass state.
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Clear removes slots while preserving chain output gain. No plugin resources are
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released in the audio callback. Empty racks return a no-result error.
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---
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## Meter While Editing Effects
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The insert workspace shows the selected track's stereo sample peaks after its
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fader and before its bus, including the effects' output. Green bars release at
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20 dB/s. A sticky red CLIP appears at unity or above; click the display to clear
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it. Stopped, offline or missing-track readings show the -90 dBFS floor. Changing
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tracks clears the indicator. These are sample peaks, not true-peak or loudness
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measurements. The display shares the mixer's existing backend snapshot read.
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---
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## Tap Tempo
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Tap the transport **Tap** button at a quarter-note pulse. The estimator averages
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the last four valid intervals and accepts 20–300 BPM. The first tap primes it; a
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pause longer than three seconds restarts it. Too-fast or backward timestamps are
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ignored. Each accepted tempo is an undoable edit and stops playback before
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preparation; tapping is unavailable while recording. New/Open resets tap
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history. The estimator uses monotonic control-thread time, with no
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audio-callback clock access or allocation. Tap timing is not a beat detector or
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MIDI clock sync.
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---
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## Audio Crossfades
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Select two partially overlapping audio clips on the same track and choose **Edit
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→ Audio tools → Crossfade two selected clips**. The earlier clip fades out
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across the overlap while the later clip fades in. Gains, positions, source files
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and the opposite fades are preserved. Equal boundaries, containment, adjacency,
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cross-track selections and MIDI clips reject without partial edits. This is a
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linear tick-based crossfade using existing clip envelopes; it does not move
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clips, create overlaps or offer equal-power curves. Discrete sample endpoints
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retain the engine's existing one-sample boundary convention.
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---
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## Chord Strumming
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Select MIDI clips and use **Edit → MIDI tools → Strum chords...**. Enter spacing
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in ticks (1–960) and direction (0 ascending, 1 descending). Notes sharing a
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source onset and MIDI channel within each clip form a chord. Equal pitches use
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stable note-ID order. Each successive note starts one spacing later, while its
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end, pitch, velocity and channel remain unchanged. Single notes remain
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unchanged. Any resulting zero/negative duration rejects the entire edit; Undo
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restores the whole selection. This edits source notes, including notes hidden by
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clip trims. It does not generate an arpeggiator or schedule live input.
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