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phase information removal.

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Johannes Findeisen 2026-11-06 14:12:22 +01:00
commit dd32143bf8
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docs/USER_MANUAL.md
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@ -104,7 +104,7 @@ filters, velocity/channel, quantization, transposition and pattern repetition.
Click selects a single note; Ctrl+A selects all filtered notes. Ctrl+D repeats
that selection at a chosen spacing within the existing clip source. Up/Down
transposes by a semitone. Commands are undoable through the main Edit menu.
See [MIDI.md](MIDI.md#phase-21-composition-commands) for shortcuts, timing and limits.
See [MIDI.md](MIDI.md#composition-commands) for shortcuts, timing and limits.
## Audio clip tools
@ -114,7 +114,7 @@ Delete removes the clip reference. Drag the body to move and edges to trim.
Edit / Audio clip gain and fades (A) sets linear gain and fade durations in ticks.
All are undoable and preserve the WAV file. Waveforms show cached raw source
peaks, before gain/fades; large media can take time to load on Open/import.
See [AUDIO_FILES.md](AUDIO_FILES.md#phase-22-non-destructive-clip-editing) for
See [AUDIO_FILES.md](AUDIO_FILES.md#non-destructive-clip-editing) for
boundary behavior, preview limits and the deferred stretch/pitch tools.
## Inspecting and organizing routing
@ -126,12 +126,12 @@ unity gain/bus node as one undoable edit. These commands are also in View/Edit
and the graph context menu. Unwired effect inputs use external audio, as shown
by “ext in”; they do not imply silence. See [ROUTING.md](ROUTING.md).
Phase 24: Mixer also offers Add bus and a Route choice for ordinary tracks.
The Mixer also offers Add bus and a Route choice for ordinary tracks.
Select Track/Bus strips to edit their controls and automation. Master and selected
strip meters show dBFS with 20 dB/s release; Reset peaks clears latched clipping.
See MIXER.md for solo rules, gain staging and meter taps.
Phase 25: File → Load LADSPA plugin offers a descriptor browser. Select a graph
File → Load LADSPA plugin offers a descriptor browser. Select a graph
plugin and Edit → Selected plugin control for identity, values, ranges and
Reset defaults; Apply commits, Cancel discards. Edit also offers replacement,
reset and insertion of an effect on a selected wire. Graph wires determine
@ -139,15 +139,13 @@ processing order; Delete removes a selected plugin and its wires. Changes are
undoable. Replacement keeps compatible audio wiring but resets plugin controls
and automation. See PLUGIN_HOSTING.md for supported formats and failure behavior.
Phase 26: Mixer Interpolation selects Linear or Hold for each point added or
replaced. Audio → MIDI controller mapping lists all channel bindings; enter
Mixer Interpolation selects Linear or Hold for each point added or replaced. Audio → MIDI controller mapping lists all channel bindings; enter
`channel volume_CC pan_CC sustain_CC` (channels 0..15, 128 disables, enabled CCs
must be distinct, 120/123 reserved). Maps are undoable and saved. Controllers
modify live sine voices; arranged track/bus/plugin automation takes precedence
over its static controls and is unaffected by those MIDI bindings. See CONTROL.md.
Phase 27: unavailable main-menu undo/redo actions are disabled, including while
recording. Piano roll has Edit/Undo/Redo shortcuts and a right-click note menu;
Unavailable main-menu undo/redo actions are disabled, including while recording. Piano roll has Edit/Undo/Redo shortcuts and a right-click note menu;
right-click no longer immediately deletes notes. Graph right-click targets the
node/wire under the pointer. Undo preserves surviving selections. Completed
takes add one undo step; undo removes references and keeps WAV files. See
@ -161,7 +159,7 @@ or unreadable references, 1 = metadata/I/O error. File availability does not
certify WAV contents or plugin compatibility. See [PROJECT_FORMAT.md](PROJECT_FORMAT.md)
for the compatibility and relocation policy.
Phase 31: **File → Load plugin** supports LADSPA plus an initial Linux
**File → Load plugin** supports LADSPA plus an initial Linux
CLAP/VST2/VST3 effect subset. Select the actual module binary (`.clap` or `.so`,
including a VST3 bundle's inner binary). Modern effects require one mono input
and output, float32 and zero latency; they use default configuration. Instruments,
@ -169,7 +167,7 @@ modern parameter editing/automation, opaque state and custom editors are not
implemented. Projects now save v12 and read v1–v12. See PLUGIN_HOSTING.md for the
full contract and test/qualification limits.
## Phase 32 instrument support
## Instrument support
MIDI tracks can bind CLAP, VST2 and VST3 instruments. In the Track menu, select
**Load instrument plugin** for the selected sequencer track; **Use built-in
@ -200,21 +198,21 @@ the callback and old instances are reclaimed on the control thread. Missing
references remain inspectable without loading; failed GUI preparation retains
the current project. Save a backup for applications limited to v11 or earlier.
## Phase 33 workspace
## Workspace
The flat workspace puts New MIDI/audio track, WAV import and instrument loading
in a persistent sidebar, with a musical transport display and selected-track
overview. See [WORKSPACE.md](WORKSPACE.md) for shortcuts and workflow. Open
`modern-session.xtc` in the installed examples for an original four-track arrangement.
Phase 34: use the sequencer Snap dropdown for straight/triplet/bar grids or Off.
Use the sequencer Snap dropdown for straight/triplet/bar grids or Off.
Double-click MIDI clips to edit notes, then use the Velocity lane or selected-note
slider for dynamics. Each non-bus track header has an instrument dropdown offering
built-in sine, project instruments and explicit plugin loading. See WORKSPACE.md.
Phases 47–57 add additive clip selection, atomic group commands, phrase clipboard
and repeat, alignment/slip tools, MIDI swing/gate/legato/scale/velocity transforms,
batch audio fades and static mixer A/B recall. See
Additive clip selection, atomic group commands, phrase clipboard and repeat,
alignment/slip tools, MIDI swing/gate/legato/scale/velocity transforms, batch
audio fades and static mixer A/B recall are also available. See
[MODERN_EDITING.md](MODERN_EDITING.md) for commands, scope and limitations.
See [arrangement and composition workflows](COMPOSITION_WORKFLOWS.md) for markers, MIDI composition, normalization and portable media collection.