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feat: collect portable project media with transactional cleanup and qualify composition workflows

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Johannes Findeisen 2026-11-06 00:49:37 +01:00
commit b0cfa79131
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docs/COMPOSITION_WORKFLOWS.md
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@ -42,3 +42,7 @@ Edit/MIDI tools/Generate arpeggio replaces source notes with a written pattern.
## Phase 67 — Audio Peak Normalization
Edit/Audio tools/Normalize source peak accepts a target from -60 to 0 dBFS. The C API accepts a linear target above 0 and at most 1. Analysis uses the audible native-rate source slice and the same mono downmix as playback, before fades or mixer controls. It replaces clip gain without writing WAV data. Silence, missing/invalid media, MIDI selections or required gain above 4 reject the entire batch. This is sample-peak normalization, not true-peak limiting or LUFS loudness normalization. Analysis runs synchronously on the control thread.
## Phase 68 — Portable Project Collection
File/Collect project media... requires a new absolute folder. The original document and files remain unchanged; open project.xtc inside the new folder to use the copy. Referenced audio and track/graph sampler WAVs are deduplicated and copied byte-for-byte, with relative references. Limits are 128 distinct assets, 256 MiB per file, 1 GiB total and a canonical folder path shorter than 480 bytes. Existing destinations, missing media, nonregular files and native graph nodes reject. External plugin binaries/state are not collected; plugins must remain installed. Invalid WAV data is copied rather than repaired. The folder is visible during synchronous collection; failures remove owned outputs, and the project file is saved last.