xtc/docs/PROJECT_FORMAT.md

# Project Format v17 (Reads v1–v17)

The project uses a bounded text format implemented in C99 without a parser
library. The extension is `.xtc`. File operations run exclusively on the control
thread. The project owns its graph, tracks and silent/audio arrangement regions.
Audio samples remain in external WAV files; MIDI notes are stored inline.

---

## Schema

Records occur in this exact order, separated by LF, including the final record.
Fields use ASCII spaces. Integers are unsigned decimal, without signs. Counts
determine the number of subsequent records:

```text
XTC_PROJECT 11
APP 0 1 0
TEMPO 120000
IDS 1 1
GRAPH 1 2 2 1
NODE 0 1 3e800000
NODE 1 4 00000000
EDGE 0 1
TRACKS 1
TRACK 0 547261636b
MIX 3f800000 00000000 0 0
ROUTE 0 18446744073709551615
CLIPS 1
CLIP 0 0 3840 2880 960 3840 526567696f6e
ASSET -
MIDI 0
AUDIO 3f800000 0 0
NOTES 0 0
AUTOMATION 0
CONTROL_MAPS 16
MAP 0 7 10 64
MAP 1 7 10 64
MAP 2 7 10 64
MAP 3 7 10 64
MAP 4 7 10 64
MAP 5 7 10 64
MAP 6 7 10 64
MAP 7 7 10 64
MAP 8 7 10 64
MAP 9 7 10 64
MAP 10 7 10 64
MAP 11 7 10 64
MAP 12 7 10 64
MAP 13 7 10 64
MAP 14 7 10 64
MAP 15 7 10 64
END
```

- `APP`: producer major/minor/patch; informational, never executed.
- `TEMPO`: constant milli-BPM (20000..300000, default 120000), fixed 4/4.
- `IDS`: next track ID and next clip ID. IDs are uint64, monotonic and never
  reused; UINT64_MAX is reserved. Track and clip ID namespaces are separate.
- `GRAPH`: output-node policy (0/1), next node ID, node count, edge count. Nodes
  retain stable IDs (limited to the host's size_t range). No pointers or
  compiled state are serialized.
- `NODE`: ID, type (1 gain, 2 oscillator, 3 meter, 4 output, 5 audio source, 6
  instrument, 8 LADSPA plugin), and exactly eight hexadecimal digits encoding
  the IEEE binary32 parameter bits, independent of locale and host byte order.
  Nonfinite values are rejected.
- `EDGE`: source and destination node IDs. Port directions are implied by node
  type; endpoints, duplicates and cycles are validated by the graph API.
- `TRACK`: ID and hex-encoded name bytes. In v4/v5 each is immediately followed
  by `MIX gain_bits pan_bits mute solo`: finite binary32 gain 0..4, pan -1..1
  encoded as eight hex digits, mute and solo unsigned 0/1.
- `ROUTE`: since v9, required after MIX: bus flag and destination bus ID;
  UINT64_MAX denotes master. See the mix routing constraints below.
- `CLIP`: ID, track ID, start tick, length tick, source offset tick, source
  length tick, hex-encoded name bytes. Trimming preserves source bounds, so a
  region can re-extend only within its original length. Overlaps are allowed and
  audio clips mix through the audio source node.
- `ASSET`: required after each CLIP in v2/v3/v4/v5; "-" means no audio asset,
  otherwise hex-encoded absolute path bytes, <=511 bytes after decoding, no
  embedded NUL or ASCII control characters. Each clip directly references a WAV;
  no sample data, pointers or DSP state are embedded. Paths can contain spaces.
- `MIDI`: required after each ASSET in v3/v4/v5; 0 for silent/audio regions, 1
  for MIDI clips. MIDI clips must have no asset.
- `NOTES`: next stable note ID and global note count, followed by that many
  `NOTE id clip_id start_tick length_tick pitch velocity channel` records. Notes
  reference MIDI clips; start/length are source-relative, positive length within
  source bounds. Pitch is 0..127, velocity 1..127, channel 0..15. Note IDs are
  unique, monotonic uint64 IDs with UINT64_MAX reserved.
- `AUTOMATION`: global point count, after the last NOTE and before END in v4/v5.
  Follow with `POINT track_id parameter tick value_bits step` in v10 (v4–v9 omit
  step and migrate to linear). Step is 0 linear or 1 hold for the next segment.
  Parameter 0 is gain (0..4), 1 pan (-1..1); values use finite binary32 hex.
  Track must exist; tick <= MAX_TICK; duplicate track/parameter/tick is invalid.
  Record order is preserved; rendering sorts a separate prepared copy.
- Names decode to nonempty valid UTF-8 of at most 63 bytes; ASCII control
  characters and embedded NULs are forbidden. Hex avoids quoting ambiguity.

Ticks use 960 per quarter note, 3840 per bar. All region endpoints are bounded
by 38400000 ticks (10000 bars). Limits: 64 tracks, 1024 clips, 64 graph nodes,
4096 edges, 4096 notes, 1024 automation points, 4 MiB input, 1535 bytes per
record, 12 tokens per record. The reader rejects invalid references, duplicate
IDs, inconsistent next IDs, ranges, truncated records, raw control/non-ASCII
bytes, and trailing data.

Unsupported format versions return UNSUPPORTED. Other malformed data returns
FORMAT. The reader explicitly accepts v1 records without ASSET lines, with node
types 1..4, migrating their clips to empty asset paths. Version 2 accepts node
types 1..5 and ASSET records. Both migrate to MIDI=0 and no notes. Version 3
accepts instrument nodes and MIDI/NOTES records. Versions 1–3 migrate all tracks
to unity gain, centered pan, mute/solo off and no automation. Saving always
writes v15. Unknown versions are rejected without replacing the destination;
older applications without v12 support cannot read current saves. Migration and
maximum-path roundtrips are tested.

---

## Ownership and Failures

Load builds and validates a separate candidate, closes the input, then replaces
the destination. Any failure retains the complete previous project. Saving
validates the project, creates a mode-0600 temporary in the destination
directory, writes, flushes, fsyncs, closes and renames over the destination.
Failures before rename retain the previous destination and remove the temporary.
After rename, the parent directory is fsynced. A directory-sync failure reports
I/O error even though the new complete destination may already be present.
Storage and filesystem behavior still determine power-loss durability. Save
replaces symlinks themselves and does not preserve existing file permissions.
POSIX I/O is private to the Linux-first persistence module; public headers
contain no POSIX types.

Saved data reproduces the arrangement, graph, track mix and automation,
including ID allocation state. Undo history is not saved. See MIXER.md for
pan/interpolation. Graph node positions, timeline zoom/scroll/selection,
transport position and DSP oscillator phase are GUI/session state and are not
saved. Asset references are absolute in memory; saves use relative paths for
media inside the project folder, otherwise absolute paths. Media are not copied
on Save As. Metadata loading preserves missing references; audio-plan
preparation reports unreadable/invalid assets and renders them silently.
Relinking replaces a selected clip's path without changing its IDs or
arrangement. See AUDIO_FILES.md for recovery and limitations.

---

## Extension and Recovery Policy

Format v4 was retained. Native processor descriptors are process-local and have
no serialized representation; saving a native graph returns UNSUPPORTED and
retains the existing destination. Unknown file versions/types remain rejected.
See NATIVE_API.md for the extension boundary and RECOVERY.md for write-failure,
killed writer and unfinished-recording behavior. Metadata validation is
available via `xtc-check --validate PROJECT` without a GUI or server; it does
not load assets.

---

## Version 5: Plugin Metadata

`XTC_PROJECT 5` was introduced; its reader also supported versions 1–4. All v4
records and order remain the same. Node type 8 is a LADSPA plugin; native
pointer-bearing type 7 is still unsupported in files. Immediately after each
type-8 `NODE id 8 00000000` record come:

```text
PLUGIN unique_id descriptor_index mono_inputs control_count hex_label
MODULE hex_absolute_module_path
CONTROL port_index float32_hex_bits
```

There are exactly `control_count` CONTROL records. Label length is 1–63 bytes,
module path 1–511 bytes (absolute), both hex-encoded with no embedded NUL. Index
is <1024, mono_inputs 0/1, controls <=16, control port indices <64 strictly
increasing, and values finite. Unique ID fits uint32. The one output is
implicit. Structural validation never opens libraries. On graph compilation the
host checks identity, layout, input control port IDs and rate-adjusted legal
ranges against the module. Unknown nodes/versions fail without mutating the
current project. Missing modules remain preserved by metadata load/save; GUI
installation rejects them with a repair message. No transient DSP state, pointer
or plugin binary is stored. See PLUGIN_HOSTING.md and decision 0009 for
supported processors/limits.

---

## Version 6

Version 6 was introduced and its reader accepted v1–v6. After each plugin's
CONTROL records, `PLUGIN_AUTOMATION count` is followed by exactly count (<=32)
records: `PARAM tick port mode float32_hex_bits`. Mode is 0 linear or 1 step.
Duplicate port/tick pairs, nonfinite values, unknown control ports and ticks
beyond the project limit are rejected. Loaded plugin tempo comes from TEMPO.
Range and discrete-mode compatibility are checked on control-thread compilation.
Versions 1–5 migrate with empty plugin lanes. See CONTROL.md for
timing/ordering.

---

## Version 7 and Project Folders

Version 7 was introduced; its readers migrated v1–v6. Record ordering and field
bounds are otherwise unchanged from v6. v7 ASSET may contain a relative path,
interpreted against the actual containing directory of the named project file
(resolved on the control thread), never the launch working directory. Opening a
symlink to a project uses the resolved target project directory; Save replaces
the named entry as before. After loading, all core asset references are
absolute, including missing media. Media inside the save folder are written
relative; references outside remain absolute. Save As resolves against its new
folder and preserves media identity rather than rebasing it by accident.
Copy/move a project folder together with its referenced media to retain
portability. Saving does not copy assets: import/record into that folder first.
Plugin binaries remain trusted absolute module references, not bundled
resources.

Empty assets still use `-`. Paths exclude embedded NUL/control bytes and must
fit 511 bytes after resolution; overly long resolved references fail
transactionally. Relative references can name outside the folder using ordinary
POSIX semantics; this is not a sandbox. Symlinks follow filesystem behavior, so
portability requires moving their targets too. Old formats continue to require
absolute media paths. No unknown version/node/record is silently discarded;
unsupported versions/types or malformed/trailing data reject the candidate and
retain the current project. Parsing never opens media/plugins or constructs an
audio engine.

Save validates the complete model, writes/fsyncs a same-folder temporary, closes
it, atomically renames it, then fsyncs the containing directory. Failures before
rename retain the old destination. A directory sync failure *after* rename
reports I/O error but the new complete file may already be present:
inspect/reopen it; there is no rollback across that durability boundary.
Filesystem/hardware power loss guarantees still depend on the underlying
storage. Recording destinations have their separate no-clobber policy; ordinary
project Save intentionally replaces the selected document. In-memory models and
the existing destination are preserved on load failure. No automatic
unknown-field stripping or media deletion occurs.

`make test-portability test test-plugins test-recovery test-recording` covers
checked-in v1–v10 fixtures (including missing v5/v6 plugins), current exact
roundtrips, moved-folder playback from a different cwd, missing media retention,
unknown records, every truncation and deterministic byte mutations, malformed
plugin metadata, interrupted writers and write-limit failures. ASan/UBSan/static
analysis additionally audit the bounded parser. This is
regression/fault-injection coverage, not exhaustive fuzzing or a claim of
power-cut qualification.

---

## Version 8: Audio Clip Settings

Version 8 adds audio clip gain/fade settings and reads v1–v7 with unity clip
gain and no explicit clip fades. After **every** clip's `MIDI` record (including
silent and MIDI clips), v8 requires:

```text
AUDIO gain_float32_hex_bits fade_in_ticks fade_out_ticks
```

Gain is finite, linear and within 0..4. Fade durations are unsigned decimal,
0..source_length_tick; zero disables that explicit fade. MIDI clips require gain
exactly 1 and both fades zero. Invalid or missing AUDIO records reject the whole
candidate. All v7 media-folder rules and atomic-save guarantees remain. Older
applications reject v8 rather than silently stripping clip settings. Rebuild
C/C++ consumers against the extended `xtc_clip_info` public struct; this
development release does not promise an unchanged struct binary layout.

Fades follow the audible trimmed clip boundaries, in current-tempo ticks, with
sample endpoints defined in AUDIO_FILES.md. Duplicating retains settings and
source references; splitting keeps the original ID on the left, gives the right
a fresh ID/source offset, retains outer explicit fades and clears inner ones. No
waveform cache or source audio is serialized. Checked-in v1–v7 migrations, v8
exact roundtrips, malformed new metadata and byte-mutation tests cover the
format change (`make test test-portability test-audio-editing`).

---

## Version 9: Mix Routing

Version 9 adds `ROUTE is_bus bus_id` immediately after each TRACK's MIX record.
`is_bus` is 0 or 1; `bus_id` is an existing bus track ID, or decimal UINT64_MAX
(18446744073709551615) for master. Buses must route to master and cannot contain
clips. Invalid destinations, flags and nested routing are rejected. v1–v8
migrate all tracks to ordinary direct-to-master tracks. Bus controls and
automation use existing MIX and POINT records. Older readers reject v9 rather
than discard routing. The public `xtc_track_info` grew fields; API consumers
must rebuild. Fixtures cover v1–v8 migration and tests exercise v9 exact
roundtrips and malformed routing.

---

## Version 10: Interpolation and Controller Bindings

Version 10 adds interpolation modes and migration from v1–v9. Track/bus
automation points are `POINT track_id parameter tick value_bits step`, where
step is 0 linear or 1 hold for the segment starting there. v1–v9 points migrate
to step=0. LADSPA `PARAM` encoding remains unchanged (already has interpolation
mode).

Immediately after all POINT records, before END, v10 requires `CONTROL_MAPS 16`
and exactly 16 records in ascending channel order:
`MAP channel volume_CC pan_CC sustain_CC`. Channels are 0..15. Controllers are
0..127 or 128 (disabled); enabled numbers must be distinct within a row and may
not be 120 or 123. Duplicate/missing/out-of-order channels, invalid CCs,
reserved bindings and invalid interpolation modes reject the complete candidate.
v1–v9 supply default 7/10/64 bindings on every channel. No event history/current
live controller values are serialized. Older readers reject v10.

Fixtures cover v1–v10 loading and migration. Exact roundtrips, malformed
metadata, step/linear renders and remapped live events cover the new
writer/reader. Public clients must rebuild and initialize the appended
`xtc_automation_point.step` field.

---

## Compatibility and Diagnostic Contract

The current reader accepts versions 1–15 and the writer always emits version 15.
Compatibility diagnostics made no format change; plugin format identity is added
in v11. Saving an older document upgrades it; retain an original backup if an
older application must still open it. APP is informational; compatibility
depends on the format version, not the producer's application version. A future
incompatible schema requires a new format number. Public C/C++ consumers must
rebuild when public structs change.

| Version | Added representation | Defaults when loading earlier versions |
| --- | --- | --- |
| 1 | Graph, tracks, silent regions | Baseline |
| 2 | External WAV references | Empty asset references |
| 3 | MIDI clips and notes | Non-MIDI clips, no notes |
| 4 | Track mix and automation | Unity gain, center pan, mute/solo off, no points |
| 5 | LADSPA metadata | No plugin nodes |
| 6 | Plugin automation | Empty plugin lanes |
| 7 | Relative media references | Earlier media paths must be absolute |
| 8 | Clip gain and fades | Unity gain, zero explicit fades |
| 9 | Bus routing | Ordinary tracks routed directly to master |
| 10 | Track interpolation and controller bindings | Linear points; CC 7/10/64 on every channel |

The grammar has no optional extension namespace. Unknown records, extra fields,
node types or trailing data cannot be preserved by this model and are rejected
rather than silently removed. Supported older records migrate in a separate
candidate and pass complete model validation before adoption. Failed parsing,
reference validation or close retains the existing destination model. GUI Open
also prepares the candidate before replacing the live document; missing or
incompatible plugins retain the current document and identify the module.
Missing media references remain available for relinking and render silently.

`xtc_project_load_diagnostic` adds a copied result, parsed format version (zero
if unavailable), expected record/stage and message. Syntax locations are
1-based; line zero denotes I/O, size, path resolution or whole-model validation.
MODEL errors do not identify the original line of a cross-reference. The
original `xtc_project_load` remains available with identical transactional
semantics.

`xtc-check --validate PROJECT` checks bounded metadata without loading
dependencies. `xtc-check --inspect PROJECT` additionally lists resolved media
and module paths, plugin labels, unique IDs and descriptor indices. It checks
readable regular-file availability only. Exit status is 0 when references are
available, 2 when valid metadata has missing/unreadable references, and 1 for
invalid metadata or I/O. Neither command executes plugin code, decodes WAV data,
connects JACK or verifies hardware. A readable file can still be an invalid WAV
or incompatible plugin; actual preparation performs those checks. Paths and
labels are escaped for terminal output. There is no search-path substitution or
automatic plugin relink.

Portability currently targets Linux/POSIX. The text representation is
independent of byte order and locale and requires IEEE binary32 floats. IDs used
by the graph must fit the receiving host's size_t; a 64-bit file is not
guaranteed to fit a 32-bit build. Paths follow POSIX semantics; Windows drive
letters and separators are not translated. Relative media can travel with their
project folder, while absolute references and symlink targets must be restored
separately. LADSPA modules are absolute installed references: match
architecture, ABI, descriptor identity, ports and legal controls on the
destination. Plugin binaries and state are not bundled. JACK availability,
sample rate, block limits and device routing are runtime dependencies; loading
metadata does not restore device connections.

`make test` includes v1–v10 migration, malformed/truncated/mutated/oversized
input, retained-state diagnostics, CLI dependency inspection, and deterministic
save faults at flush, file sync, close, rename and directory sync. Pre-rename
faults preserve the old bytes and remove the temporary. After rename, a sync
failure reports I/O while leaving a complete new document; inspect it before
retrying. Fault wrappers are linked into tests only. These tests complement
killed-writer coverage in `make test-recovery`; they do not qualify power-cut
behavior.

---

## Version 11: Plugin Format Identity

Immediately after every plugin MODULE record, v11 requires:

```text
FORMAT format_number hex_identity_or_dash
```

0 = LADSPA, 1 = CLAP, 2 = VST2, 3 = VST3. Identity is `-` for LADSPA/VST2; CLAP
uses its stable plugin ID (1–127 non-NUL bytes); VST3 uses the 32-character
lowercase hex class ID string, itself hex-encoded like other byte strings.
PLUGIN's unique ID remains the VST2/LADSPA integer ID (zero for CLAP/VST3),
descriptor index and label. MODULE is still the actual absolute binary path.
Versions 1–10 migrate to format 0 and empty extra identity. Older readers reject
v11. The public plugin struct has grown; C/C++ consumers must rebuild and
initialize it to zero.

Modern adapters accept one-input mono effects, default configuration only, with
zero controls and automation points. Unsupported modern control metadata is
rejected, not discarded. State/editor/preset changes are not exposed, so no
opaque state is serialized. Reloading recreates plugin defaults, which can
change after a plugin update or with its external configuration. Matching
ID/name/layout is not a binary hash or sound-reproducibility guarantee. See
PLUGIN_HOSTING.md.

Metadata validation and inspection never initialize modules. Actual graph
preparation verifies format, descriptor, stable identity, name and layout before
publishing. Missing module metadata survives C load/save; GUI preparation
retains the existing document on failure. No automatic path search or plugin
substitution occurs. Current and historical migration fixtures, malformed
fields, identity mismatch, missing-module and exact-render roundtrips cover this
extension.

---

## Version 12: Track Instruments

After CONTROL_MAPS/MAP records and before END:

```
TRACK_INSTRUMENTS count
INSTRUMENT track_id format descriptor_index unique_id hex_label
MODULE hex_absolute_binary_path
IDENTITY hex_stable_id_or_dash
LIVE_INSTRUMENT track_id_or_18446744073709551615
END
```

Each binding comprises INSTRUMENT/MODULE/IDENTITY. Formats 1/2/3 mean
CLAP/VST2/VST3. Bindings require distinct existing non-bus tracks and compatible
instrument metadata (zero audio inputs). The live target must have a binding;
UINT64_MAX selects built-in sine. Empty bindings are valid. Older documents
migrate to no bindings and built-in live sine. Parsing/inspection never executes
modules; preparing playback verifies binary identity and configuration. Deleting
tracks removes bindings; reordering preserves stable track identities. Undo
snapshots include bindings. Public clients must rebuild for the new spec field.

---

## Version 13 Internal Devices

Format value 4 identifies dependency-free internal devices at `/xtc/internal`.
Indices 0/1 bind fixed Soft Keys/Sub Bass instruments; 2/3 are Delay/Reverb
effects with three controls and existing automation records. Identity and
control ranges are validated without loading libraries. See
[BUILTIN_DEVICES.md](BUILTIN_DEVICES.md).

---

## Version 14 Instrument Parameters

Each track INSTRUMENT identity is followed by `INSTRUMENT_CONTROLS count`,
`CONTROL port value_bits` records, `INSTRUMENT_AUTOMATION count` and
`PARAM tick port mode value_bits` records. Bounds, duplicate points and metadata
are validated before destination replacement, just as for graph effects. Earlier
bindings have no controls/automation; v13 internal instruments retain fixed
default sounds. Modern external instruments still require zero controls.
Instrument tempo follows project tempo. Instrument preset files use this same
schema with exactly one instrument track and no clips; they are metadata only.

---

## Version 15 Sample References

Each instrument parameter block ends with `SAMPLE hex_path_or_dash`. Only the
internal Sample Player (index 4) may carry a nonempty sample path. Paths within
the project directory are relative on disk and resolve against the project
file's directory; other paths are absolute. Metadata loading does not read WAVs.
Missing/invalid samples remain references and become reported silence during
preparation. Controls describe root key, whole-file loop, attack, release and
gain. Earlier projects have empty sample paths. Rebuild public API consumers for
the additional copied `sample_path` field in `xtc_plugin_spec`.

---

## Version 16: Arrangement Markers

After `LIVE_INSTRUMENT` and before `END`, version 16 writes `MARKERS count`
followed by `MARKER tick hex_name` records. Count is 0..128; ticks must be
strictly increasing and at most MAX_TICK. Names use the existing bounded UTF-8
hex encoding. Versions 1–15 migrate to an empty marker list. Older builds reject
version 16. Markers are copied by snapshots and history; the tick is their
stable key.

---

## Version 17: per-Track Insert Chains

After MARKERS/MARKER and before END, the writer emits a chain for every track,
in dense track order. Earlier versions migrate to empty chains with unity gain.
Floats use the existing eight-digit IEEE binary32 hex encoding; strings use the
existing bounded UTF-8/byte hex encoding, with `-` for an empty identity.

```text
CHAINS track_count
CHAIN track_id slot_count output_gain_bits
INSERT enabled wet_bits format descriptor_index unique_id inputs tempo hex_label
MODULE hex_absolute_binary_path
IDENTITY hex_stable_identifier_or_dash
CONTROLS control_count
CONTROL port value_bits
PARAMETERS point_count
PARAM tick port step value_bits
```

Each CHAIN has exactly slot_count INSERT blocks. CONTROLS/PARAMETERS determine
the subsequent CONTROL/PARAM record counts, including zero. Slots are ordered,
at most eight, and accept mono non-instrument effects only. Enabled is 0/1, wet
is finite 0–1, output gain finite 0–4; inputs must be 1. The format values are
LADSPA=0, CLAP=1, VST2=2, VST3=3 and Internal=4. Existing plugin specification
validation applies, including descriptor/identity/port/automation bounds and
20,000–300,000 milli-BPM. Bus chains must be empty. No sample reference is
permitted on an effect. Duplicate, missing, reordered or excessive chain
records, malformed strings and nonfinite values reject the whole load.

Loading and dependency inspection only validate metadata; no plugin module is
opened. Enabled plugins are verified when a render plan is prepared. Chain
preset files reuse this schema with exactly one non-bus track and no clips or
instrument. Track insert APIs are declared in `xtc_plugin.h`; see
[TRACK_INSERTS.md](TRACK_INSERTS.md) for playback restrictions and workflows.