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166 lines
6.7 KiB
Text
166 lines
6.7 KiB
Text
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**************************************************************************
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** **
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** 909909909 909909909 909909909 **
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** Roland 909 909 909 909 909 909 **
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** 909 909 909 909 909 909 Copyright **
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** TR- 909909909 909 909 909909909 1995 **
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** 909 909 909 909 **
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** 909 909 909 909 Rob Roy **
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** 909 909 909 909 Recordings **
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** 909 909909909 909 **
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** Minneapolis, USA **
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** Rhythm Composer Samples **
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** **
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**************************************************************************
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------------
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Introduction
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------------
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Since it's admittance into the world of music, the Roland TR-909 has been
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one of the most sought after drum machines in existence. Every dance,
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techno, and hip-hop artist desperately searches for the "magic box", only
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to find the 909. Yet, this box is highly coveted by those who worship its
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demonic powers. Many have tried to obtain this box through large sums of
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money, deceit, and ultimately theft.
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In order to curve the population's insatiable thirst for the 909, I have
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created a 'complete' 909 sample set. I'll be surprised if you can tell the
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difference.
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For purists, this sample set will not totally replace a real 909. The 909
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sequencer is really natural for many dance and hip-hop artists. But
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in terms of sound quality, this set accurately reproduces the various
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instrument settings on the 909. In other words, it is the next best
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thing to a real 909. How many drum machines in the store have a five meg
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909 sample set?
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I hope you find this set useful. Please feel free to copy or distribute
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the set in any way. Please DO NOT change samples, add samples,
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delete samples, or modify this text file in any way. Respect the work.
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This sample set is FREE. You may not distribute these samples for
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profit!! If you have any comments please feel free to email me.
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Or, if you create a cool tune using the samples feel free to send me a
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tape or dat. Have fun!
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-Rob Roy/ April 20 '95
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Jason Baker
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Rob Roy Recordings
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818 SE 8th Street #103
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Minneapolis, MN 55414 USA
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email: bake0028@gold.tc.umn.edu
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web: T.B.A. soon!
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** Special thanks and greets to fEEd at MANNA STUDIOS, Minneapolis, for
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providing the TR-909. Check out Manna Studios at the following web
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site: http://www.ivi.com/~robw
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__________________________________________________________________________
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Sample set specifications:
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--------------------------
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160 Samples covering the full 909 kit
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-24 bass drum
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-52 snare drum
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-16 low tom drum
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-16 mid tom drum
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-16 high tom drum
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-2 rim shot
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-2 hand clap
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-6 high hat close
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-6 high hat open
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-6 crash cymbal
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-6 rim cymbal
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-4 open->close high hat combinations
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-4 close->open high hat combinations
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Disk space requirement: approx. 4.8 megs unzipped
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__________________________________________________________________________
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Recording process:
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------------------
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All samples were recorded in mono at 44.1k using the following process:
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909 -------> EMU ESI-32 :::::::::::::> 486PC running Sound Forge 3.0
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mono sample dump
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The process maintained the greatest s/n ration by recording all
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instruments at maximum level (except where noted). All levels on the
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909 were kept at their highest setting. The samples were normalized in
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Sound Forge 3.0. The sounds were recorded completely dry.
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__________________________________________________________________________
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Sample Listing Notation
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-----------------------
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The 909 affords nearly an infinite number of instrument settings. In
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order to make the "infinite" possible, I used a standard system for
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recording each instrument's possible settings. Each instrument setting
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knob on the 909 has 10 decants. I chose to use the 0, 3, 7 and 10
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settings on each knob to create most instrument variations. The sample
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listings use the letter "a" to represent 10 (think of 'a' as meaning
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'a'll the way). The high hat and cymbal samples use settings of 0, 2, 4,
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6, 8, and 10 for the variations.
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So, for example, when I recorded the bass drum I used the four chosen
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decants on three knob settings to create 24 bass drum variations.
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For the bass drum and snare drum I eliminated a few settings to reduce
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"sonic redundancy". In the case of the bass drum I only used the
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0 and 10 ('a') settings on the attack. For the snare drum I did not
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vary the tone control while the 'snappy' setting was at 0.
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After recording and normalizing each sample, I saved the samples in their
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respective instrument directories. Each sample name is composed of an
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instrument letter, and knob settings specifications.
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---------------------
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Sample Identification
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---------------------
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Instrument (first letter) Settings (in order) Directory
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b bass drum t=tune, a=attack, d=decay \bassdm
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s snare drum t=tune, t=tone, s=snappy \snaredm
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l low tom t=tune, d=decay \lowtomdm
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m mid tom t=tune, d=decay \midtomdm
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h high tom t=tune, d=decay \hitomdm
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rim rimshot #=velocity level \rimshot
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hand handclap #=velocity level \handclap
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hhc closed high hat d=decay \closedhh
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hho open high hat d=decay \openhh
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csh crash cymbal t=tune \crshcym
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ride ride cymbal t=tune \ridecym
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clop closed->open hh #=combination number \misc
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opcl open->closed hh #=combination number \misc
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The best way to figure out what sounds you need is to listen to a variety
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of samples. Better yet, try to create your own personalized set of 909
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samples.
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Email me at: bake0028@gold.tc.umn.edu if you have any questions!
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** 909KIT UPDATE 5/12/95
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I cleaned a bunch of sound file headers. Apparently some .wav file have not
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been loading properly on systems. The new headers contain the proper sound
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data information.
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