mirror of
https://codeberg.org/armin/chromaflock.git
synced 2026-09-01 12:20:47 +02:00
update README
This commit is contained in:
parent
3331b4cc16
commit
dcdc73349d
1 changed files with 12 additions and 0 deletions
12
README.md
12
README.md
|
|
@ -68,6 +68,17 @@ Two independent LFOs per voice, each with:
|
||||||
- Phase resets on note-on
|
- Phase resets on note-on
|
||||||
- Pitch modulation range: ±12 semitones
|
- Pitch modulation range: ±12 semitones
|
||||||
|
|
||||||
|
## Arpeggiator
|
||||||
|
|
||||||
|
Tempo-synced arpeggiator that sequences held notes into rhythmic patterns. Pure note-logic - no audio path changes.
|
||||||
|
|
||||||
|
- **On/Off**: Enables the arpeggiator and routes incoming MIDI notes through it
|
||||||
|
- **7 patterns**: Up, Down, UpDown, DownUp, Random, As Played, Chord
|
||||||
|
- **Octaves**: 1 – 3 (extends the pitch pool above or below the root, clamped to MIDI range)
|
||||||
|
- **Direction**: Up or Down for octave extension
|
||||||
|
- **Rate**: 1/16, 1/8, 1/4, 1/2, 1, 2 (note-value divisions, tempo-synced via BPM)
|
||||||
|
- Tracks held notes in press order (used by the As Played pattern)
|
||||||
|
|
||||||
## Effects Chain
|
## Effects Chain
|
||||||
|
|
||||||
All effects are stereo and processed in series after the synth voice.
|
All effects are stereo and processed in series after the synth voice.
|
||||||
|
|
@ -168,6 +179,7 @@ Custom dark theme with gold accents. ~50 knobs across 9 sections.
|
||||||
| LFO 1/2 | Rate, Depth knobs, Shape and Destination selectors |
|
| LFO 1/2 | Rate, Depth knobs, Shape and Destination selectors |
|
||||||
| Delay | Time, Feedback, Mix knobs, Ping-Pong selector, Spread knob |
|
| Delay | Time, Feedback, Mix knobs, Ping-Pong selector, Spread knob |
|
||||||
| Reverb | Size, Damping, Mix knobs |
|
| Reverb | Size, Damping, Mix knobs |
|
||||||
|
| Arpeggiator | On, Pattern, Octaves, Direction, Rate selectors |
|
||||||
|
|
||||||
### Visualizers
|
### Visualizers
|
||||||
|
|
||||||
|
|
|
||||||
Loading…
Add table
Add a link
Reference in a new issue